41![Five Preludes Op. 74 by Alexander Scriabin Edited by Peter Billam Five Preludes Op. 74 by Alexander Scriabin Edited by Peter Billam](https://www.pdfsearch.io/img/df20b1db8d6ebfc046d3028114f91fca.jpg) | Add to Reading ListSource URL: www.pjb.com.auLanguage: English - Date: 2014-02-15 00:55:10
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42![Proceedings ICMC|SMC|September 2014, Athens, Greece Timbre-invariant Audio Features for Style Analysis of Classical Music Christof Weiß Proceedings ICMC|SMC|September 2014, Athens, Greece Timbre-invariant Audio Features for Style Analysis of Classical Music Christof Weiß](https://www.pdfsearch.io/img/33324ddc25bf68ff1e5c1d35456909e0.jpg) | Add to Reading ListSource URL: matthiasmauch.deLanguage: English - Date: 2015-01-08 12:39:01
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43![The Pentatonic Family Pt.2 Once again staying within the realm of 12 tones [the sizes are up to you} we can look at another set of pentatonics. Before we looked at the Large and small patterns that we can define as LsLss The Pentatonic Family Pt.2 Once again staying within the realm of 12 tones [the sizes are up to you} we can look at another set of pentatonics. Before we looked at the Large and small patterns that we can define as LsLss](https://www.pdfsearch.io/img/cd96402814f8fcb3e79c12af5a5e9423.jpg) | Add to Reading ListSource URL: www.anaphoria.comLanguage: English - Date: 2014-05-24 11:03:53
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44![I Introduction A. Overview This article examines two mathematical spaces which can be constructed using the twelve canonical interval classes. Each is derived from the minimum interval sets found in dyads and trichords. I Introduction A. Overview This article examines two mathematical spaces which can be constructed using the twelve canonical interval classes. Each is derived from the minimum interval sets found in dyads and trichords.](https://www.pdfsearch.io/img/12904b68a133cd6187fac846ed230815.jpg) | Add to Reading ListSource URL: jacksonmoore.netLanguage: English - Date: 2015-04-03 16:18:00
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45![KRIS SHAFFER – MUSIC THEORY SOCIETY OF NEW YORK STATE – 9 APRIL ‘NEITHER TONAL NOR ATONAL’?: A STATISTICAL ROOTMOTION ANALYSIS OF LIGETI’S LATE TRIADIC WORKS Allow me to begin by playing a brief musical KRIS SHAFFER – MUSIC THEORY SOCIETY OF NEW YORK STATE – 9 APRIL ‘NEITHER TONAL NOR ATONAL’?: A STATISTICAL ROOTMOTION ANALYSIS OF LIGETI’S LATE TRIADIC WORKS Allow me to begin by playing a brief musical](https://www.pdfsearch.io/img/88491afbabfc1f2fb66a290bca59c755.jpg) | Add to Reading ListSource URL: kris.shaffermusic.comLanguage: English - Date: 2015-04-15 21:44:53
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46![Overtones, Intervals, and Generative Transformations in György Ligeti’s Hamburg Concerto (draft) Kris Shaffer Overtones, Intervals, and Generative Transformations in György Ligeti’s Hamburg Concerto (draft) Kris Shaffer](https://www.pdfsearch.io/img/699b0020db41932d8463cbf59422af99.jpg) | Add to Reading ListSource URL: kris.shaffermusic.comLanguage: English - Date: 2015-04-15 21:44:53
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47![Interlocking Rhythms, Duration Interval Content, Cyclotomic Sets, and the Hexachordal Theorem Godfried T. Toussaint School of Computer Science, McGill University, 3480 University St., Montreal, Canada [[removed]ll Interlocking Rhythms, Duration Interval Content, Cyclotomic Sets, and the Hexachordal Theorem Godfried T. Toussaint School of Computer Science, McGill University, 3480 University St., Montreal, Canada [[removed]ll](https://www.pdfsearch.io/img/55270cbcbeaf7d2d0e84ac236472801e.jpg) | Add to Reading ListSource URL: www-cgrl.cs.mcgill.caLanguage: English - Date: 2006-12-14 20:11:29
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48![Tom Pankhurst Schenkerian Analysis and Existential Semiotics One of the attractions of Eero Tarasti’s A Theory of Musical Semiotics[removed]is its capacity to embrace a wide Tom Pankhurst Schenkerian Analysis and Existential Semiotics One of the attractions of Eero Tarasti’s A Theory of Musical Semiotics[removed]is its capacity to embrace a wide](https://www.pdfsearch.io/img/76a82b13d8b39fab22e238b4a81f9730.jpg) | Add to Reading ListSource URL: www.schenkerguide.comLanguage: English - Date: 2012-10-24 14:22:53
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49![OMEN III: THE FINAL CONFLICT Music by Jerry Goldsmith Analysis by Bill Wrobel The following is a cue rundown analysis of Jerry Goldsmith’s masterful, memorable score to the third of the Omen Trilogy released in 1981, T OMEN III: THE FINAL CONFLICT Music by Jerry Goldsmith Analysis by Bill Wrobel The following is a cue rundown analysis of Jerry Goldsmith’s masterful, memorable score to the third of the Omen Trilogy released in 1981, T](https://www.pdfsearch.io/img/657261b00d43f08490ddc41142ad96c3.jpg) | Add to Reading ListSource URL: www.filmscorerundowns.netLanguage: English - Date: 2005-08-25 08:59:56
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50![RESEARCHER – LIAISON CONNECTION
GLOBAL OVERVIEW
Researcher & Liaison Connection RESEARCHER – LIAISON CONNECTION
GLOBAL OVERVIEW
Researcher & Liaison Connection](https://www.pdfsearch.io/img/5c49fd5ddb1bed4d5713a68e09cbff8b.jpg) | Add to Reading ListSource URL: www.its.utmb.eduLanguage: English - Date: 2012-07-31 14:13:11
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